This work is a recalibration. A return to what the body knows before the mind translates it — rhythm, instinct, the pulse of something alive and in tune with the world.
Each painting begins as a study of the nervous system — not as anatomy, but as feeling. The way information travels through the body before language catches up. The way a gesture, unrepeated, leaves its trace.
Gold drawn like nerve endings, like root systems. Deep sienna grounds built in layers — applied and removed by hand before the final mark is made.
These are studio images — raw, in progress, not yet resolved. That is intentional.
Original works available — enquire here.
A departure — in scale, in subject, in feeling. A large canvas that came from following intuition past the point of comfort, into something less defined and more true.
Where the other works trace the internal — the nervous system, the individual body — this one turns outward. Figures gathered. The amber warmth of proximity. The way people hold space for one another without speaking.
Community as its own frequency. Painted not from observation but from memory of it — the feeling of belonging somewhere without needing to explain why.
This work is available — write to the studio.
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Selected works from the studio, available as archival fine art prints. Each one individually hand-signed and numbered. Printed on Hahnemühle museum-grade paper — they carry the full depth of the originals. The sienna grounds. The drawn gold mark. The quiet intensity of the surface.
An edition of 25. Each print a considered object, not a reproduction.
The same marks that appear on canvas appear here — on cloth, on the body, in motion. Extending the work beyond the wall was not a concept. It happened in the studio one afternoon and felt right, so it continued.
Each piece is hand-painted as a singular work. The vocabulary is the same: gold forms, dark ground, the gesture that cannot be repeated. What changes is the surface — and the way the work moves when worn.
The skin of the painting becomes the skin of the dress. There is no separation between the work and the body that carries it.
Collaborations and commissions considered individually.
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